Kylmä Sota is a band I know I have seen twice but that I have absolutely no recollection of. They had been booked at the sadly defunct and almighty Play Fast or Don't festival in Czech in 2009 and even though I was indeed parading that year in Hradec Králové and despite always making a point to check out all the bands on the bill (I still do), I don't remember seeing them at all. They apparently did play in the afternoon but I was nowhere near pissed enough to use intoxication as an excuse. Maybe I should have been drunk. They also played in Paris in 2013 and I do remember well seeing the opening bands but my memories of the Finns are blank, a tragedy made even sadder by the fact that, by all accounts, they were great on stage.
The brain works in mysterious ways. Whereas I have crystal clear memories of abysmal bands making fools of themselves 20 years ago (the list includes some of my own bands), I am unable to remember some good bands I specially went to the gig to see. I try to pretend I do most of the time just to keep my notoriously high level of punk points safe. Sometimes repeating to others a story of how superb the band was, even if you can't remember fuck all, is enough to convince yourself that you actually do remember. You basically have to fill in the blanks and create a believable story based on more or less reliable outside reports and voilà.
It has to be pointed out that Kylmä Sota - meaning "cold war" in Finnish - is a band that is still remembered in the grand collective punk psyche and indeed I see them as one of the best Finnish bands of the era and quite possibly my favourite one (which makes my memory loss even more frustrating). The band released a number of good records and lasted ten years, between 2005 and 2015, a very decent run at a time when bands' lifespans were growing shorter and Kylmä Sota's existence happened at a pivotal time. When they formed in the mid-00's, social media and youtube were not around and the punk scene, its inner workings and its representations were still very similar to those of the 90's. 10 years later, things were very different and punk and its codes had changed drastically. But the reason why Kylmä Sota are still mentioned in elders' discussions is that the band were precursors, unintentionally, as it is often the case, as they brought the uncompromising distorted d-beat style to Europe.
Kylmä Sota is the only band on my list that does not strictly abide by the holy d-beat scriptures. Don't get me wrong, they undeniably stood as a d-beat band. But they were not as orthodox or monomaniacal (mean people would also say as unoriginal) as the rest, although not by that much (according to these same mean people). I felt I had to include them because, beside being a great band, they brought something new or rather they brought something that already existed to a new place. From their humble beginning until the end, their use of a layered super fuzzy Japanese-style distortion applied to traditional Discharge-loving käng hardcore was just not done in Europe. Listening to this wonderful Lp - their strongest material in my opinion - I sometimes have the impression of vintage Disclose covering Diskonto and Dischange with a Finnish hardcore singer and this distinctive Suomi flow and sonorities. The riffs abide by the Swedish d-beat tradition but textures differ and if the aforementioned heroes from Kochi are obvious influences, classic Japanese noisepunk acts like Confuse and Gai or even crasher classics like Collapsed Society or Gloom.
I am not forgetting Lebenden Toten who used that piercing Kyushu guitar distortion as early as 2003 but they did not partake in d-beat and very much remained in the (then not quite construed) noisepunk category (like the Wankys shortly after). By the start of the 2010's more and more bands worldwide would take to the "wall of noise" approach (Japan has always had its own dynamics so I'm not taking it into account here) but none were total d-beat bands like Kylmä Sota were as even the excellent Giftgasattack (other pioneers from Sweden) were not as Dis-oriented as the Turku punks. Kylmä Sota's music was very energetic, galloping and intense, with a definite punk edge emphasized by the fast-paced shouted, but not growled or harsh in any way vocals. In spite of it being a 10 song album, not the easiest format to pull for d-beat, the listener is grabbed by the throat from the start and never set free. Intensity-driven hardcore punk. It has to be pointed out that it was not the members' first (nor last) band as they had played in acts like Stumm, Selfish, Khatarina and others I am not really familiar with and right from the band's demo indeed, you can tell that they know what they are doing (when sober at least).
A very strong record that appealed to the d-beat fanatics, scandicore lovers and just old-school hardcore audiences that at the time had not been overfed the "distortion and echoed vocals" hardcore trend. It was released on Feral Ward in 2010 so you know it's quality stuff. Do take a listen to the rest of their discography, you are going to be disnoised.
Lets' not forget the cool Evance cover on this record, complete with lyrics translated in Finnish! Funny how they covered a Japanese "traditional hardcore" band rather than a noisepunk/crasher crust/Dis- one!
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