Friday, 18 June 2021

Ace Compilations for Less Than a Fiver on Bloody Discogs (part 3): "1997 - Damn the Contorol" compilation Ep, 1997

Here we go again, this is the third part of Ace Compilations for Less Than a Fiver on Bloody Discogs and yet another lovely compilation Ep that you should be able to grab for the price of a döner kebab, a suspicious pint of lager in Paris or a single ticket in the London subway (for real, I almost lost it the last time I went there and I demanded to see the manager immediately, I mean, £5!!!). I have to admit that I had absolutely never heard of, never mind seen, this Ep until quite recently when fate graced me with the opportunity to own it for a particularly inexpensive sum. Hail old-school distros and their sleeping stock from the 1990's. It felt a little odd that no one ever mentioned 1997 - Damn the Contorol to me and that even the nerdiest corners of the internet appeared to be devoid of references to it. A mate of mine told me that there were rumours on the dark web that the Ep was haunted and that every owner suffered particularly violent death, their bodies dislocated, pure expressions of horror upon their faces, shoegazed to death. It does make one shiver and there's little wonder that, faced by an awful doom, people kept silent about this Ep. 

 

However, I am not one to be afraid of any record and I once again proved that my fearlessness and proverbial placidity before danger were real and not the stuff of old wives' tales (in fact, only ponies, geese and Dire Straits can scare yours truly, the combination of the three, say a couple of geese riding a pony while playing Dire Straits on their phone, would certainly cause sudden death). So I picked the Ep and, after playing the geezer, thought out loud - and I am quoting with utmost exactitude here - "Fuck me, that is an exquisitely lovely piece of punk art that I shall proudly dress with the gleaming escutcheons of Terminal Sound Nuisance". I still keep being astonished in no small degree at the relative obscurity and unpopularity of the compilation especially since it does not appear to have been hard to find at all. Did any of you, my dear readers, know of it? Maybe I just don't hang out with the cool used-to-be-kids anymore. Sob, fucking sob.

 

From what my ready mind can infer, and rather predictably, 1997 - Damn the Contorol (yes, actual spelling and a top example of Japanese-English) has something to do with the year 1997. The Ep was released on Vomiting Label, a short-lived (it was actually the label's sole release) entity based in Finland (EDIT: well-informed elders told me that behind Vomiting was actually Otto from Força Macabra who liked to change label names so that people would be very confused. Good one!), which possibly accounts for the presence of two Suomi bands (there's the quick-wittedness at it again). Did some sociopolitical unrest occur in Finland in 1997? I found no information supporting this claim. Since the blurry and highly contrasted picture on the cover depicts some sort of riot or urban unrest and that the subtext reads "That's the information they don't tell you... That's the information that exists... That's the information we never get...", one may deduce that the title refers to a political event that took place in 1997. I did not find much about this particular year in terms of eruptions of anger and violence promptly cured with state-sponsored truncheons, water cannons, teargas, good old beatings and even, if you're very lucky, non-lethal crowd control weapons. 1997 saw intense rioting in Northern Ireland on the part of Irish nationalists and bloody state repression against the Uhygur populations in China known as the Ghulja incident. Some things sadly never change. There was also the unexpected retirement of Eric Cantona but that's a French-only trauma that I'd rather not get into. It still hurts.


 
 

Another political element to Damn the Contorol lies in its open antinazi stance with a picture of local boneheads with targets on their faces and a "Break Neck Action" caption. I doubt any nazi actually saw this compilation Ep but regardless giving the finger to the scum is always a noble intention. If the purpose and binding theme of the compilation in relation to the context of 1997 is never properly expressed but there is however an inflated dithyramb from the producer/label guy on the eternal glory of hardcore punk, stating at some point that: "The dance floor leaves and breathes, and the dancers are one with each other in a huge machine gun panorama of noise and light and movement. When music is good for today's dancing, it's HARDCOREPUNK". Now that's a moving declaration of love and, even if many of us have a bad back these days, I suggest we all joyously dance together like the man said. 


 

Although Vomiting was a Finnish label (the name would have been rather fitting for a goregrind endeavour but whatever) there are no less than four Japanese bands out of the nine acts making up the thing. The first band is Chaos Channel from Osaka with the song "Don't kill future" which, whoever it was aimed at, was not an unreasonable demand after all. Modern streaming platforms such as youtube (I don't know if you are familiar with it but it's apparently pretty big and millennials really dig it) have made the noizy punk style of bands like Chaos Channel readily accessible and nowhere as obscure and confidential as they still were not so long ago. I am sure it was different in Japan because they have always had this tradition of highly distorted fast and binary Bristol punk-rock initiated by Confuse so that the genre must have been pretty normal to Japanese punks (like käng in Sweden or shite oi music in France). However, outside of the country, only the nerdiest punks were conversant with top secret bands like State Children or Gess so that it is hard to gauze the popularity of heirs like Chaos Channel. Even if the phrase "noisepunk" was only coined in the mid 00's by the Wankys, I feel it is the perfect description for Chaos Channel's music. Absolute pogo-compatible Swankys worship with the same assumed silliness and hyperbolic punkiness musically and aesthetically. The singer sounds like an absolute pisshead raised on early Disorder and Chaotic Dischord, the guitar's piercing distortion is reminiscent of the national classics, the bass is driving on a Confuse team dragster and the drummer has fun being as primitively ciderpunk as possible. If you enjoy the style, Chaos Channel, along with neighbours like Order and Dust Noise, were the real noisepunk deal in the mid 90's. Absolute swankers, "Chaotic punk is forever" as they proudly stated. The song was recorded in 1995, a busy period for the band since they released two Ep's on Overthrow in 1994 and 1995. And did I mention guitar player Yamakawa also played in Gloom?



 

Next up are Leben, a band from Graz, Austria, I know nothing about. Very rough and fast hardcore punk with a cavemen grindcore vibe. They only ever appeared on one other compilation Ep entitled More Noise by Nice Boys released on Insane Society in 1997 alongside Agoraphobic Nosebleed and Mrtva Budoucnost. Besthöven follow and it was Fofao's progeny's first inclusion on a vinyl but certainly not the last. The song "Sacrificio grotesco" was recorded in 1996 and Besthöven was a three-piece at the time. When Damn the Contorol came out, people who had actually heard of Besthöven, outside of Brazil, and even there they were probably quite obscure, must have been very, very rare indeed. In the Latino America's punk scene of the mid-90's, Besthöven were assuredly something of an oddity. Of course, there were legions of hardcore punk in Brazil, but their open 80's Scandinavian hardcore studded worship set them apart (they covered Shitlickers and Fear of War at that time). As they proudly claim on the cover "Our sound is influeced by hardcore punk bands that making punk a threat ever''' Swedish bands and other crustraw punk core band like Japanese and more...". Since they wholeheartedly thanked Força Macabra, I suppose that was how they ended up on this Finnish compilation. The song is exactly as you would expect early Besthöven to sound like, a blend of raw and primitive käng hardcore with Silencio Funebre-era Armagedom. Not for posers.


 

The last band on the first side is Kirous from Finland with a short and sweet antifascist song "Kasvava uhka". The sound is quite raw, a defining uniting feature of the compilation, and there is a mean chaotic vibe running through the song. Somewhere between Kuolema and their contemporary Uutuus and Katastrofialue maybe. If you had no idea, you could think that Kirous song were recorded in 1985. The band went on to release an Ep for No Fashion Hardcore Records and two split Ep's with the very good Sharpeville and Silna Wola. If you are into raw hardcore, you are in for one minute of classic Finnish hardcore delight. If you are not, I strongly suggest you leave the room immediately. 


 

The following band is Guernica y Luno from Słupsk, Poland. GyL are not widely known outside of their home country but they were undeniably one of the more crucial bands of the 90's along with Włochaty, Homomilitia and of course Post-Regiment. Their lyrics, judging from the translations, were highly political and quite deep and beautiful at the same time which accounted for their undying popularity as the 2017 Nigdy Nie Będziesz Szedł tribute Lp can attest. Heartfelt, intense even emotional at times anarchopunk with male and female vocals and a raw, old-school Polish punk vibe that combined perfectly with their distinct 90's anarcho sound. Tuneful with memorable chorus and a genuine inventiveness in the songwriting for what was one of the most relevant anarchopunk bands of the 90's. The song "La programo" is actually in Esperanto which might come as a surprise to some but makes sense in the context of the band and of the 90's, the Esperanto language standing for unity between people and a common linguistic ground for peace and freedom. If you look close enough you can find quite a few European bands who had or have songs in this Language and obviously Voĉo Protesta, being Japanese, took the concept of Esperanto hardcore to its logical conclusion by singing in this language only. The GyL song is an anthemic anarcho crust punk song with a singalong chorus and something of an 80's Finnish hardcore touch like Melakka when they shout "Kontravaj al kurwa sistema". Ace.


 

Next up are Conclude from Japan with their song "No need flesh". If you close your eyes and play the song, you can spot easily that they were a Japanese going in the direction quite similar to Chaos Channel or Order. The song is a sloppy but fun, drunken, punky and bouncy number with snotty vocals that will please lovers of noizy obnoxious punk-rock and the use of the Iconoclast font is not fooling anyone here. More surprising perhaps is that most of Conclude's subsequent recordings were sung in Finnish and sounded much closer to classic 80's Finnish hardcore like Bastards or Destrucktions although the vocals were still reminiscent of swanking. They even had an Ep called Made in Finland and apparently toured Finland in the 90's. By no means was their choice to shift language unique in Japan as Frigöra sang in Swedish (or in Mob 47 depending on how accurate you want to be) and Corrupted in Spanish. A decent song about animal liberation, a topic Conclude tackled heavily.


 

Totuus are the following contestant with their short sharp shock of a song "Kirkot Hyötykäyttöön". Pretty classic Fight Records-era Finnish hardcore, direct, fast and fierce hardcore with an added 90's touch to the old recipe. Very effective and rather well recorded compared to Kirous but I prefer my hardcore simpler and punkier.


 

Disclose are next with the song "Right of liberty and equality", recorded during the same session as the three songs on the split Ep with Homomilitia from 1995 (you can read a full review here). I recommend you read Pawel Scream's comment at the bottom of the review so that you understand why the Disclose song sounds so bad. The DAT (Digital Audio Tape) containing the Disclose recording got fucked at some point and as a result the noise-not-music creative stance of Kawakami became a little too literal. Anyway, you all know Disclose, we have already been talking about Disclose on Terminal Sound Nuisance so there is not much point rehashing. Typical mid-90's, Great Swedish Feast-era Disclose, distortion-drenched shitlicking Discharge mythology. Funnily enough, some of the noiziest d-beat crasher bands went for a distorted guitar sound rather similar to the one Kawakami had on this song although it resulted from a technical mistake he had nothing to do with. Such is the magic of the Dis.


 

Finally, you've got Blaze, a traditional "burning spirit" kind of hardcore punk band from Machida, Japan. As I have often pointed out, I am not a fanatic of the late 80's/early-mid 90's Japanese hardcore wave. I love the crust of that period but the whole Death Side/Bastard sound, if thoroughly enjoyable and regularly enjoyed at the Terminal Sound Nuisance castle, does not totally speak to the old heart. I was not familiar with Blaze until someone recently pointed out that a much-expected Blaze reissue was going to be released on the hard-working noize-loving General Speech. The book Flex - 1987-1992 tells me that Blaze were "totally in line with the Burning Spirits scene and a classic of that era. Demand for this EP (the 1992 But Nothing Ever Changes Ep) has shot up during the past years" so needless to tell you we are dealing with the cream of the crop here, such bands that generally cause the nerd elite to ruthlessly compete with one another for the throne, a bit like at a Royal Rumble but with much less atheleticism. The song "Heavy conufsion" has super epic riffs and a triumphant thrashing hardcore vibe combined with gruff vocals and beefy singalong hardcore chorus. Pretty flawless for the genre and easily the tightest band on Damn the Contorol. Makes one want to ride a massive wave while wearing shades.


 

The foldout cover turns into a poster when you flip it which displays an anti-technology bordered with a message that is a little hard to read. "A dream of a technophile... The beginning of the end of the world...". Not such an insightful statement considering that 25 years late people can actually pay with their watch. Well only twats do, but still. Each band included a small visual with the lyrics giving Damn the Contorol a real sense of punk collaboration and togetherness which has always been the very point of such endeavours.  

That's the real question


Damn the Contorol!         



                      

Sunday, 13 June 2021

Ace Compilations for Less than a Fiver on Bloody Discogs (part 2): "Walk Across America - for Mother Earth" compilation Ep, 1992


Walk across America for Mother Earth. 

Walk across America for Mother Earth?

Walk across America for Mother Earth...

Almost 30 years after its release, the title of this compilation Ep - Walk Across America - for Mother Earth in case you are a bit slow - remains one of the hippiest of the whole punk history. Despite its unquestionably good intentions, if the Ep is unbeknown to the punk on the street, the title will conjure up horrifying images, visions that few men and women can claim to have survived without going insane. Many could never get over the blinding nightmarishness of the patchoulied worldview. Some became like possessed, converted, swallowed whole into the hippie ideology, never to return. Fucking sandals. Fucking magic crystals. Fucking white middle-class people reconnecting to "Nature" through dancing, playing fucking bongos and doing loads of drugs. Dodgy, fake fucking shamans blagging their way into a cult leadership, leaving you bollock-naked in a field making out with a bong. Ten-minute long fucking solos, Doors' cover and Manu Chao cosplay. I could go on. Abominations that are generally admitted to be the curse of the human race. These are the kind of thoughts that the title of the Ep would evoke out of context. A quick look at the cover of the Ep may also send shivers down the barmy army's spine. Some misdirected souls claimed that on full moons, one could sometimes hear cheesy folk music coming out of the record and that if it did happen, it was strongly recommend to immediately store the Ep next to Sore Throat or Gloom records, reputable talismans against the hippie eye. Of course, the quick-witted punk would not fall so quickly into the abyss, ignore the flying feather and actually read what accompanies the Walk Across America - for Mother Earth title: a well class lineup made up of Hiatus, Political Asylum, Mushroom Attack, Indian Dream, Silent Water and the rather enigmatic Teenage Kicks. And I personally have nothing against hippies, I mean I had a hippie friend back in the day and my cousin even dated one. I am not prejudiced.   

Before dealing with the cracking lineup of this compilation, let me reiterate that the idea behind it was very honourable indeed since, all joking and hippie-basing aside and in spite of confirmed sightings of crystal-worship during the walk, For Mother Earth was an organization responsible for the Walk Across America 1992 initiative in solidarity with the struggles of Native American people across the Americas. All the profits went to the organization and although they cannot have been incredible - it's a DIY punk compilation, not a U2 benefit gig - it is always encouraging to see punks actually giving a fuck. There were a lot of protest, notably from Indian activist groups in 1992 because many American states celebrated the 500th anniversary of the "discovery" of the continent by Columbus. Celebrating the start of an ongoing genocide against Native populations is about the most outrageously insulting they could have thought of, even for soulless politicians. The genocidal policies against Native Americans certainly kept going throughout the twentieth century and still do. A basic summary of the many facets of the oppression and genocide faced by Natives is included on the back of the foldout cover. It is, because of issues of space and clarity, short but it was meant to lead people to get interested and involved in the struggles and dig deeper into those issues. The same year, Profane Existence released the In Spirit of Total Resistance double Ep compilation coinciding with 500th anniversary and the Mohawk uprising in Oka. There were of course more compilations and cooperations between bands to protest against the disgusting, shamelessly revolting celebration, notably from Latino punx. Let's mention the Medellin Contra el Quinto Centenario 1991 tape (with Imagen and GP among others) and the Rock Subterraneo Contra el V° Centenario international tape (with Los Violadores, IRA or Atoxxxico). More recently, in 2005, the 512 Años Despues el Saqueo Continua digital compilation is equally worth investigating with a solid lineup including Doña Maldad, Dios Hastio, Apatia-No or Los Dolares. 

After a whole paragraph of talking about serious stuff, let's solemnly shift focus on the six bands invited to support the worthy cause. First are the mighty Hiatus from Liège. I once professed with authority that Hiatus were probably the best band to have ever walked the Earth and that was not an empty, alcohol-induced claim. There are days when I have the conviction that Hiatus were the missing link between the Neanderthals and modern human beings. Think about it. The Belgian heroes have been regularly included on Terminal Sound Nuisance so this one will be a sitter. The song "Confusion inside my head" was recorded in August, 1990, during the same recording session as the first Ep I don't Scare Easily But... and the split Ep with Reach a Mental Road. At that time Hiatus still had Raf on vocals while Wills was playing the bass (he famously went on to crust things up behind the mike after Raf's departure). This was Hiatus at their most primitive before they became the hugely influential eurocrust powerhouse they are known for. In 1990, Hiatus were rawer, simpler and not quite as impactful as they would become from 1992 on though they still packed a serious punch. Still, the band can be said to have been, maybe not the first - Extreme Noise Error were actually first with their 1988 demo - but certainly the most significant late 80's Doom/ENT/Sore Throat filthy cavemen crust worshipers on the continent so that we should be eternally grateful for that. Absolutely classic crust.

Next up are another former Terminal Sound Nuisance candidate with Indian Dream, whose first 1987 Ep Well Are you Happy Now? was reviewed here almost four years ago (gasp). Again, I am not going to throw myself into an elaborate speech about the merits of Indian Dream and rather, for laziness is also a virtue, encourage you to take a look at the aforementioned older review. With a name like Indian Dream, the inclusion of the late 80's Scarborough lot on benefit compilation in solidarity with Native Americans feels almost too obvious. It is widely known that British anarchopunks in the 80's were fascinated with American Indian cultures and the harmonious lifestyle they stood for in the psyche of young, idealist, pacifist punks. It does sound quite cheesy from the all-knowing arrogance of our 2020's selves and you would probably have punks accusing Indian Dream of naive cultural appropriation, and I suppose it is not an unintelligible argument, but at least the band gave an actual shit about the oppression of Native people and their lyrics reflected their outrage and their support to the struggle. I am not sure when "Discarded" was recorded, possibly during the same session as the second Ep, but it is probably my favourite song from them. Melancholy, moody but uplifting anarchopunk with superb poignant female vocals, this song has everything, from the disarming catchiness of classic anarchopunk to the charmingly cheesy 80's-inspired "tribal" chants that could be awkward but kinda work well with the pagan atmosphere, lyrics and imagery of the band (I may not be impartial here, truth be told). If you enjoy Lost Cherrees, Rubella Ballet or A-Heads, Indian Dream might become your favourite band soon. The two Ep's are brilliant examples of third wave UK anarchopunk and the Orca Lp is a genuine classic with a cover that is the visual equivalent of Oi Polloi's "Whale song". You were warned.

Next up are not Teenage Kicks at all but Pink Turds In Space covering "Teenage kicks" from The Undertones, one of the most famous punk songs ever written and certainly the catchiest chorus of rock'n'roll history - right next to The Exploited's "Alternative" and Doom's "Police bastard" - which the band took a manifest pleasure destroying. This cover actually already appeared on the Wild and Crazy Noise Merchants double Lp compilation (reviewed here) so I will not stun you with endless ravings this time round. PTIS were one of the best bands of the late 80's/early 90's Belfast scene with their fast, mean, magnetic thrashing hardcore punk with some of the raspiest female vocals I have ever heard. Everything they did was top but the split Lp with Sedition was particularly ferocious. Antisociety reissued the full discography of the band on vinyl so don't be a poser and support the scene.

On the B side, guests are welcome with the Scottish anarcho-progpunk champions Political Asylum which, once again, already made a memorable appearance on the blog with their Winter Ep. "Symptom" was taken from their Someday Lp from 1987 and at that point the band was becoming more and more proficient musically, more technical, with more rock and less punk, so to speak, but still deep into anarchism. I like the album and its energy and the tuneful distinctive vocals, almost folkish here, work well but I somehow miss the brooding melancholy of the 1985 Ep and the demos a little - but then "I prefer the early demo to their late material" as the famous ancient punk saying goes. This said, "Symptom" is a solid tuneful song with neat arrangements and a prime example of Political Asylum at the peak of their prowess. Still to be consumed with some moderation because of the unreasonable amount of solos. One is never too careful when punks actually learn how to play their instruments.

The next stop sees us stepping into a much dirtier territory, a dangerous place where toxic armpits rule and toothbrushes are banned: Mushroom Attack's squatters kingdom. This Groningen classic band briefly popped up on the blog through the benefit compilation Ep They ain't Seen Nothing Yet (here) that included a song of theirs. MA are often considered as a pre-Fleas & Lice band and the comparison is not irrelevant although they had no inclination toward crust music. Expect fast and raw anarcho-thrash with dual male/female vocals. I did not remember them to be that fast but the song "Squat and live" certainly delivers with a sound that epitomizes the essence of the typical sound of many European DIY political hardcore punk bands. Dynamic early 90's squat punk at its best that I often to associate with cities like Groningen or Liège that still cradle that sort of noise unit to this day. Early Disaffect definitely comes to mind (not by design but because the musical context led to the formation of bands with a sound like theirs) and other Flat Earth Records bands like Sedition, One By One or Health Hazard and even Jesus Chrust and (German) Enola Gay. You know the deal. "Squat or die" is a song about squatting and fighting gentrification, a battle that was sadly but logically lost. The two classic split Lp's with Ξεχασμένη Προφητεία and Disorder (the brilliantly named Masters of the Glueniverse) have a better, more powerful sound and also comes highly recommended if you are into raw dual vocal hardcore punk with honest political lyrics and into records worth a fiver since their 2001 cd discography pretty much goes for that little. Not the most crucial band of the decade but still thoroughly enjoyable for old-school types. 

The last song is "Your shark" by Silent Water, a band I did not know at all before grabbing the Ep. They were from Belgium, were active from the late 80's to the early 90's and released two tapes and a full album in 1991 with the rather depressing title A Joyride on Waves of Solitude. Hand me the fucking rope. Judging from the titles of the songs, Silent Water had strong anarchist leanings and them participating in compilations alongside Jesus Chrust and Earth Citizens beside the spiky lineup making up Walk Across America. I have no idea what the band sounded like in general - it is actually a one-man man so I probably should have used "he" instead of "they" - but "Your shark" is an acoustic folk song. Not bad at all and it reminds me of Chumbawamba but that is certainly due to the fact that I don't listen to folk music at all, unless I am forced to like that time I had to witness an Against Me gig. Long story. The one SW song I could find had a punky noise-rock touch but I am clueless if it is representative of the style either.

The compilation Ep was released on Be Yourself Records and Bonds of Friendship, the latter being run by the bloke responsible for Conspiracy Records. The Ep has some noticeable surface noise but since we are all half-deaf punks here, I doubt you will be too bothered. Let's call it additional vintageness. I paid about €5 for my copy and if you negotiate cleverly, beg pathetically or blackmail wickedly, you should able to too. 



               

Walk Across America - for Mother Earth 

Friday, 4 June 2021

Ace Compilations For Less Than a Fiver on Bloody Discogs (part 1): "Squat or Rot vol.2" Ep, 1990

The lockdown has been partly lifted and the sun is back. People are allowed by the powers that be to get stupidly hammered in a pub environment and bore their friends to death about their terrific new yoga classes. Middle-class wankers boast about remote working and still being able to travel. Blokish twats are now allowed to walk around barechested and engage in glaring contests. The infamous moped lads of the Test Tube Babies are massively back on the streets while teenage girls listen to outrageously vocodered shite on their phones. Life, as we knew it, is back and one cannot help but notice that the idealistic fantasies of a different, fairer world expressed by the guilt-ridden at the beginning of the Covid pandemic vanished quickly as soon as opportunities to fly to instagrammable destinations rose. I suppose the return of the countdown to Armageddon was inevitable.  
 
Alright then, here we go again since you do not visit Terminal Sound Nuisance to be assailed by my self-absorbed whining and superficial sociological observations about fellow human beings. After a well-deserved, not to mention particularly unproductive, break from the vicissitudes inherent to punk writing, I was able to hear the call of my punk siblings, dying to read my legendary homemade slices of no-nonsense street wisdom and the remarkable and magnetic biting wit that have been my trademark skills for the past nine years. Endowed with a tremendous sense of loyalty and an overinflated ego, I rolled up my sleeves and started digging. 
 
 
The scope of this series will be nowhere near as dense, epic and ambitious as the previous one. Only five records make up Ace Compilations for Less Than a Fiver on Bloody Discogs, a low intensity project for cheap punks on a tight budget or proverbial stingy bastards (we all have a couple of those in our circle of friends) who still crave for quality music combined with interesting bits of punk history which the duly selected five compilation Ep's will, hopefully, provide. I brooded a little over the issue of using the Discogs' scale of measurement in order to evaluate the average price of said compilations (as you can see, I engaged in some serious analytical work of the world of record economics and questioned the validity of existing tools and the speculative dynamics in relation to punk cultural artifacts). Still, Discogs has become this behemoth for record collectors worldwide, the epitome of temptation, not unlike online mermaids with vinyls in their hands trying to seduce music nerds with promises of "go on, it's in near mint condition" or "$30 for the colour version is not a bad deal". Discogs is like free online porn for record freaks. Some argued that it took the pleasure and fun out of record collecting and trading since now almost everything can be easily obtained and is literally a couple of clicks - and a fulltime job with a western wage - away. The five compilations that will be treated in this series are relatively cheap, common and definitely significant ones. Genuine slices of punk history if you will that can be yours for a small sum from a bargain bin.
 

 
The first one of these delightful and oft disregarded compilations is the second volume of the Squat or Rot samplers released in 1990 on Squat or Rot Records (I'd like to thank Captain Obvious here for the heads-up). Two of the bands included here were already tackled years ago when I wrote about the BBP tape that included live recording of crucial bands - Jesus Chrust, Apostates and of course the mighty Nausea - belonging to New York's infamous Squat or Rot scene. If Nausea, I should be disposed to imagine, are pretty much known by the punk scene at large, the rest of the SoR roster remains fairly obscure to most although I suppose, and hope, this comment does not apply to old-timers. New York hardcore and punk is strongly associated with the musical prowess of tanktop-wearing, bold by choice thuggish geezers that, in turn, gave rise to many tanktop-wearing, bold by choice thuggish bands all over the world. I must confess that I am fairly ignorant about the hardcore scene that is traditionally understood as quintessential to New York because it absolutely never attracted me when I was just a lad as, when it came to hard men singing about being hard men, I was more inclined to go for Blitz or 4-Skins. And well I think that it is the kind of music you have to get into as a teen in order to relate to it, when you reached 20 it's just too late. Therefore, when I hear "New York punk" I jump to Nausea or Dissassociate. Or indeed to Insurgence, a band I was obsessed with in no small degree.
 

 
I first read about Insurgence - the band opening the compilation - in a mid-00's issue of Slug & Lettuce, a well-known (it enjoyed a print of 10.000 at some point which sounds insane from a 2021 perspective) and long-running fanzine done by Chris, a former New York punk that was an active member of the SoR scene which she documented through her ace pictures. I was an avid and loyal reader of her enthusiastic reviews - she had tastes very similar to mine - and never failed to take notes about the records she enjoyed. Memory works in mysterious ways. While I am barely able to remember a discussion I may have had last month, I distinctly recall that I first came across Insurgence in a S&L review about Storm Heaven, the Lp of Requiem, a band with former Catharsis members that seems to have vanished from collective memory. Requiem had three singers, just like Insurgence, Chris said, a band she went on to describe as a "baby Nausea". Now that immediately got my undivided attention. An old-school crust band with three (!) singers that sounded like Nausea. I went on a quest to listen to the band, no small endeavour considering how little-known the band seemed to be. Fortunately, after persistently harrying a local old-timer who used to distribute SoR and Tribal War Records in Paris, he pointed me to this compilation.
 


 
My maniacal search for Insurgence proved to be worth it, although I might have been a bit of an annoying chap to be around with when vocalising my frustration. "Hawk and the dove", that's the title of the Insurgence song, can be said to be one of the best crust numbers ever written, and I make this claim with the utmost seriousness. Tasteful and powerful old-school anarchocrust with three vocalists, among whom Alicia who would later on front the amazing 13. The song starts with a soft guitar introduction before exploding into pacifist metallic crust heaven. I love how the vocals work with each other to provide a feeling of (ins)urgency and political anger. Nausea come to mind obviously, although Insurgence were probably more straight-forward. I am also reminded of Anti-System, Antisect, early Sacrilege or a filthy crust version of Civilised Society?. Brilliant, essential stuff. The rumour of the existence of a full Insurgence demo had been circulating for some years and it finally surfaced recently which enchanted me to no end. Top peacecrust as could be expected. I also heard about an Insurgence retrospective record but that was a long time ago so our collective breath should not be held. The following band on the compilation is Malachi Krunch, a Connecticut act that released a full Lp in 1991 as well two split Ep's, one of them with the great The Pist. I am not really familiar with the rest of the band's catalogue but this is a good, raw and direct hardcore song, quite typical of the sound of the time, not far from the aforementioned The Pist and Broken, a later band that had members of Malachi Krunch in its ranks. 
 


 
Next up are the very prude Jesus Chrust, who previously appeared on the BBP live tape and thus have already been discussed. The band had Nausea's first singer and Tribal War mastermind Neil and future Dissassociate frontman Ralphy Boy on vocals and, judging from what Discogs tells me, also employed John and Roy from Nausea at some point in their illustrious career too (actually, in spite of their relatively short run, the good-natured JC seemed to have seen a number of musicians coming and going, probably obeying the well-tried principle "if you want in, you're in"). Most of JC's songs could be defined as rather fast and hard-hitting dual vocal crusty anarchopunk, pioneering a cocktail that would be quite popular in the 90's in the $tates, but "Means of destruction" is a simple - if not simplistic - traditional mid-paced plodding gruff stenchcrust number with a raw punk sound, a filthy epic chugging riff, hoarse shouts replying to threatening growls, with implications of dodgy personal hygienes. Just another crust at the office and possibly my favourite song from the band. I love the song for its sheer directness and primitive structure. Early Deviated Instinct and Sore Throat at their Frostiest as well as early 90's bands like Glycine Max, Embittered or Jesusexercise could be relevantly convened. Primal antinuclear crust punk for crust punks. Because we're all worth it. The two split Ep's with Social Outcasts and Würst - also released on SoR - are solid slices too and go for equally cheap so that with some crafty negotiations, you should probably be able to take the lot home for a tenner. Neil would keep Tribal War going until the mid-00's and sing for Warning and Final Warning while Ralphy Boy, as alluded to, would unleash a grinding fury for Dissassociate.
 






 
Next is the fourth contestant of the compilation and let's all welcome Yuppicide, a long-running and still active Brooklyn hardcore band that was in its infancy when they recorded the song "Ourselves" for the Ep. In the 90's, agents of gentrification - a urban process against which squatters fought hard in New York's Lower East Side - were called yuppies. Suits and ties type who exhibited their money and symbolized triumphant capitalism. Nowadays they are called hipsters and they are no less damaging to working-class communities all over, except they are wolves in vintage sheep clothing with their pretentious progressive politics, their expensive tattoos and their postmodern pseudo bohemian mindset. At least yuppies hated you in your face. To get back to Yuppicide, they played straight-forward New York hardcore with terrace chorus and a mosh-friendly heavy break toward the end. You know what to expect.
 



 
Finally, you have Apostates, one of New York's best kept secrets. Like Jesus Chrust, they also had some live songs on the BBP tape. The band had John John from Nausea on guitar but do not expect anything crust or even hardcore-oriented in Apostates' music. Apostates were to The Mob what Disaster were to Discharge. It's not exactly the same but it's this close. Mid-paced brooding 80's styled anarchopunk with deep vocals and an excellent sense of tunes with a bit of deathrock, a style of UK anarchopunk that, for some reason, did not really take in the US (apart from Trial and maybe Atrocity on the other side of the country). That the band is not reverred by anarchopunk lovers (and there are quite a few of them if Insta accounts, also known as "Making punk a selfie again", are any indication) is akin to an anomaly. In a perfect world where people are just like me, Apostates should be treated with deference, as an obscure, secretive band that one only whispers about when in the company of initiates, a band like Awake Mankind or Two-Fingered Approach. Oh well. The endless rediscovery of humankind's flawed, directionless nature. Lyrics deal with the inheritance of ecological destruction for future generations and they could have been written yesterday. If you are into the moody but beautiful side of dark, melancholy mid-paced anarchopunk, like The Mob, Zounds, Null&Void or early Blyth Power (they are could have called themselves All The Mad Joseph Porters really) then Apostates are for you. The Burning World of Hate Ep also comes highly recommended.
 



 
Squat or Rot Vol.2 is a sensible compilation including at least two absolute classic songs in the guise of Insurgence's "Hawk and the Dove" and Apostates' "Grows up in the puff of smoke" and it is the best one of the three. However, music is only one side of the record as it came with a genuine SoR newspaper showcasing what punks would do when they organised a little and put their money when their mouths are. The five bands enjoy striking full-page artworks in the paper and you will also find great punk art, an article about squatting and how it relates to class antagonism, private property, housing rights and autonomy and another one about fascism, racism and white supermacists in the States. Detailed pieces that reflected the activism and idealism of that scene. The paper is not in mint condition (I doubt you'll be able to find a perfect copy of a 30 year old newspaper) and the vinyl is not deprived of surface noise, but it is an interesting and inspiring - as millenials say - piece of our collective history. 
 
Squat and Rot: the Return                        

Friday, 30 April 2021

The Stench of the Millennium: at the Core of 00's Crust

Hallo there, how is crust?

It took me fucking hours but here it finally is: my 00's crust compilations. I suppose it does not come as a big surprise since the 90's got the same treatment and, after all, it's my job to keep crust punk elite (I have been known as the Fat Mike of crust in some quarters, although I would like to point out that I am much slimmer and have better tastes in music). 

 

You know the drill by now as far as Terminal Sound Nuisance's homemade compilations go but, because I care about newcomers to this blog, I am going to provide some sort of guide to my compiling genius. This time around my focus was on 00's crust music from an international perspective and as you can expect it was a monstrous undertaking. If I have often referred to the 90's as the preeminent crust decade because the genre exploded during that period, there were probably more crust bands - in the broadest sense of the term - in the decade that followed. This can be explained by the growing ramifications of the genre with the strengthening and solidification of subgenres (like stenchcore and crasher crust) combined with the fissiparous creation of new subdivisions (like neocrust or blackened crust), both phenomenon strongly influenced by new punk trends. Logical developments I suppose. 


The selection is, as usual, subjective and reflects my definition of crust music (aka the official party line). Matters of space, time and personal taste led me to exclude so-called the neocrust bands (or melodic crust or epicrust or tragicrust whatever) from the compilations. Boundaries are often difficult to draw but, when I felt a crucial line was crossed, when bands transgressed too radically crust's immemorial unwritten laws (meaning the 80's), I decided to leave them out. This said, I would be interested - though not exactly glad - to listen to a "best of 00's neocrust" selection so if you are brave enough to take on the challenge you know what to do. This said, you will find a couple of bands influenced by His Hero Is Gone on the compilations but that were still infected enough with the crust virus. Similarly, crusty bands that sounded too close to death-metal or thrash-metal did not pass, not because I dislike them but because I did not see myself working on a fourth volume. Basically I gave Stagnation a pass because I wanted a all out Bolt Thrower-type band but War Master did not make it pretty much because they all had long hair.  


To think about music in terms of decades may not be the most relevant method. Indeed, the early 00's saw the last valorous efforts of classic 90's crust bands like Homomilitia, Axiom or Policebastard while a brand new generation of crust bands - Last Legion Alive, Cancer Spreading or Contagium - was only emerging by the end of it and such crusty congregations went on to achieve legitimate expectations in the 2010's. Iconic crust immortals Warcollapse, Doom, Misery and Extinction of Mankind kept delivering the goods at their own pace, unhindered by the passing of time, and of course many great bands lived and died during the decade, soap-dodging fragile transient angels like After the Bombs, Stormcrow or Lost. As a result, bands from different waves and from both ends of the decade coexist in the compilations and I will admit that anthologies using more precise and narrower selection methods focused on stylistic content rather than chronology would perhaps have been more relevant, but then the comprehensive and thorough blog reviews deal with this more cerebral side of things. Let's just see these compilations as a general look at the different styles and waves of crust bands that evolved in the 00's and, well, as hopefully fun listens.


 

I had chosen to divide my compilations about 90's crust in terms of style and pace. Two volumes dealt with metallic stench-y crust bands while the third one was all about cavemen crustcore. For the 00's I decided to apply a cross-disciplinary approach, a deceptively fancy term which sonically translates as a massive, primitive but differently-paced brawl between the various crust schools, united in their intent to provide a seriously angry bollocking to the listener while also showing their belief in the coming apocalypse. You will find the obvious stenchcore revival heavyweights (the most significant event of the decade), Japanese crasher crust, metallic eurocrust, epic Greek crust, grinding crustcore, cavemen crust, some more progressive crust acts and even a couple of bands toying with "neocrust" influences. The scope is more international than on my previous efforts and, although 00's crust has often been described as redundant, you will realize that, when one - in a heroic effort - actually dares to dive into the depths of the dark abyss of crust music, one can find little-known gems. Therefore, crust stalwarts such as Hellshock, Dystopia or Effigy rub shoulders with the very obscure and rather sloppy Esporrro, Relics of Future or Axebastard (the kind of bands you would only know if you actually played in them if you know what I mean). This was an important point of the compiling process as I intended to show that DIY crust was not just about tight, proficient and well-recorded 00's North American bands (that would take whole compilations in itself) and that it also welcomed rough, messy, puerile and savage bearlike noizy bollocks from the periphery (if you so happen to be a scholar, you might say it is akin to a decentering of the enunciative subject but that would make you sound like a massive twat). Also, I left out many Japanese crust bands because of I already tackled their 00's wave thoroughly last year

In the end, the inclusion of Crow in those new compilations might be the most surprising of all, especially since I didn't invite them to the aforementioned Japanese feast. Of course Crow were never an actual crust band. Still, while it did not seem to make sense to add a Crow song to the 00's Japanese crust selection, it did feel necessary to pick an extract from Bloody Tears for inclusion on the global one. Perhaps because this album makes more sense as a 00's crust work than one abiding by the rule of Japanese crust. I don't lose sleep over it but I did think hard about the issue which, if anything, proves that the lockdown really has to end quickly.  


I ripped as many songs as possible from my record collection and tried to find decent music files for the rest but sound quality - not to mention musicianship - does vary from a song to the other. Still I feel it is the best I could do given what I had to work with and the time and effort it took to see that through. There you go then, enjoy those three compilations and feel free to comment and point out bands I might have forgotten or you consider should have been included. 

But no more tergiversating. Let's bloody 'ave it!


Part one:

01. Effigy « Stark moon », from From Hell Ep, 2003 (Japan)
02. Stormcrow « Enslaved in darkness », from Enslaved in Darkness Lp, 2005 (U$A)
03. Unfekcja « Stupor », from Przegrani Lp, 2003 (Poland)
04. Raw Noise « Pain and gain », from Scum Will Rise to the Top Ep, 2009 (England)
05. Αιώνιο Σκότος « Κραυγές Αγωνίας », from Σ Ένα Θρόνο Προπαγάνδας cdr, 2005 (Greece)
06. Berserk « Eclissi », from Apocalypse demo cdr, 2006 (Italy)
07. Hangover Overdose « Ainut kristitty », from S/t split cdr with Noittus, 2007 (Finland)
08. Dažd « Императив Последњег Доба », from S/t Lp, 2009 (Serbia)
09. Sharpeville « The wound aren’t going to heal », from At the Late Hours Before the Dawning of our Abundance Lp, 2000 (Finland)
10. Axiom « This isn’t life », from Apathy and Privilege Lp, 2000 (U$A)
11. Bio Crisis « Perdido en la mentira », from S/t split Ep with Slaktattack, 2009 (Mexico)
12. Dirty Power Game « Ethnic war », from Figli Della Vostra Catastrofe cd, 2004 (Italy)
13. Sickness « GxC party », from S/t Ep, 2000 (France)
14. Extinction of Mankind « Man’s last breath », from Northern Scum Lp, 2007 (England)
15. Χειμερία Νάρκη « Χειμερία Νάρκη », from Στη Σιωπή Της Αιώνιας Θλίψης Lp, 2003 (Greece)
16. S.O.L. « Game over », from S/t split Lp with Pack, 2004 (Germany)
17. Deceiving Society « Achieve », from Detonation Cruster cd, 2009 (recorded in 2001) (Japan)
18. Dread 101 « Ústa Plná Krve », from S/t split Lp with Social Insecurity, 2002 (Czech)
19. After the Massacre « A future discarded », from A Future Discarded to the Bonepits cd, 2006 (England)
20. Acursed « Escape », from Livet Är Den Längsta Vägen Till Helvetet cd, 2003 (Sweden)
21. AGE « Plunderer », from Four Wings Lp, 2001 (Japan)
22. Bärrikäädi « Crust warriors », from S/t split cd with Esporrro, 2009 (Brazil)
23. Axebastard « Bastard (militaristic gear) », S/t demo cdr, 2009 (Finland)
24. Desobediencia Civil « Slave to convention (Doom cover ) », from No Hay Libertad sin Desobediencia cd, 2001 (Mexico)
25. Scorned « Never question », from S/t split Ep with Hellbound, 2000 (U$A)
26. Cancer Spreading « Marcia funebre / L'era del niente », from S/t split Lp with Disköntroll, 2009 (Italy)
27. Hellshock, « Last sunset », from S/t Ep, 2003 (U$A)
28. Contrast Attitude « You’re not free », from Sick Brain Extreme Addict Ep, 2003 (Japan)
29. Death Dust Extractor « Slave in chains », from Slay Your Masters or Slave in Chains Ep, 2008 (Japan)
30. Stagnation « Interceptor », from S/t Ep, 2008 (U$A)
31. Alehammer « Slowburn », from Mine’s a Pint of Crust 10’’, 2007 (England)
32. Another Oppressive System « Population control », from S/t split Ep with Human Waste, 2004 (U$A)
33. Deskarga Etílíka « Esta sistema não resulta », from Apunkalipse Now cd, 2003 (Portugal)
34. Disgusting Lies « Bez wyboru », from No Choice No Way / Non Cè Limite Al Peggio split Lp, 2005 (Poland)
35. Bumbklaatt « Debil o fuerte », from S/t Ep, 2003 (Mexico)
36. Man the Conveyors « Paralysis », from Cheers! Cd, 2008 (U$A)
37. Devastated Goes… « Distinction », from Devastation demo car, 2007 (Japan)
38. Detritus « Distorted sureness », from S/t Lp, 2009 (recorded in 2005) (Belgium)
39. Warprayer « The night takes the pawn », from S/t split Lp with Morne, 2009 (England)
40. Anguish « Nighted silence », from Within the Darkness Ep, 2009 (U$A)



The Stench of the Millennium (part 1) 

 


Part two:

01. Acrostix « Filth chain », from Crust Night 2002, the War Begins for Them compilation cd, 2002 (Japan)
02. Giuda « Il ritorno del terrore », from Decadenza Lp, 2008 (Italy)
03. Coaccion « Vacio », from Invertebrado cd, 2004 (Mexico)
04. Mind « Nothing », from …Your Own Business Lp, 2001 (Poland)
05. Policebastard « Sweatin’ green », from Cursed Earth Ep, 2002 (England)
06. Summon the Crows « Wind of chains », from Scavengers Feast Lp, 2006 (Norway)
07. Uncle Charles « Värdighet kostar pengar », from In Crust we Trust 10’’, 2004 (Sweden)
08. Esporrro « Extinção », from S/t split cd with Bärrikäädi, 2009 (Brazil)
09. Χημική-Επιδημία «  Πνοή Θανάτου », from Στην-Πόλη-Του-Χάους cd, 2003 (Greece)
10. Fight Back « Working class attack », from Crust is Dead compilation tape, 2001 (Croatia)
11. Agree To Differ « Void of humanity », from S/t demo tape, 2001 (?) (Japan)
12. Last Legion Alive « Tomb of dirt », from S/t demo cdr, 2009 (Belgium)
13. Skunk « Animals in pain », from S/t tape, 2008 (Canada)
14. Monuments to Ruins « Sleep rite », from Under the Guise of Progress… the Rise of Deceit Lp, 2005 (U$A)
15. Hellisheaven « Napalm parson », from S/t split Lp with Creeping Corrupt, 2009 (Poland)
16. Blowtorch Serenadę « Skull attack », from unknown recording, 2008 (?) (England)
17. Dischord « Amargo existencial », from S/t split Ep with Čad, 2002 (Brazil)
18. Disturd « Life », from Darkness…Faint Gleam… tape, 2007 (Japan)
19. Warcollapse « Defy! », from Defy! cd, 2007 (Sweden)
20. Cop On Fire « Solo », from S/t split Lp with Visions of War, 2005 (Spain)   
21. M.V.D. « Armut », from War Species Lp, 2009 (Germany)
22. Flyblown « Intimidate and the eradicate », from The Fear and the Fury Lp, 2005 (England)
23. Against-Empire « Stop the torture », from The Ones who Strike the Blows Forget… The Ones who Bear the Scars Remember Lp, 2005 (U$A)
24. Sanctum « Overthrown », from S/t split Lp with Stormcrow, 2006 (U$A)
25. Atroz Destrucción « Libro infernal », from Falsas Promesas cd, 2009 (Mexico)
26. Lost « Cykl ludzkości », from Fear-Strach Lp, 2003 (Poland)
27. Defector « Punk system destroy », from パンクシステムデストロイ(Punk System Destroy) Ep, 2003 (Japan)
28. Human Waste « Avsky », from I Skuggan Av Erat Sverige Ep, 2001 (Sweden)
29. NIS « Condannato all’estraneità », from Presagi di un’Insulsa Rovina demo cdr, 2008 (Italy)
30. After The Bombs « Black wind of fear », from Relentless Onslaught Lp, 2007 (Canada)
31. Consume « Like father like son », from S/t split Lp with Born/Dead, 2003 (U$A)
32. Zyanose « Media », from Loveless Ep, 2008 (Japan)
33. Abraham Cross « End of time »,from Tokyo Sound System 1+2=3 2xcd compilation, 2007 (Japan)
34. Intoxicate « Amen », from Toxic Years cd, 2006 (Croatia)
35. Visions of War « Nailed conscience », from S/t split Lp with Olho de Gato, 2002 (Belgium)
36. Dödsfälla « Nightmare shadow », from Death Future Lp, 2009 (U$A)
37. Filth of Mankind « Obłędna Rzeczywistość », from The Finał Chapter Lp, 2006 (recorded in 2000) (Poland)
38. T.R.I.B.E. « Rise! », from Nation, State and Liberty split cd with Ruin, 2007 (Scotland)
39. Phalanx « To tame a land », from S/t Lp, 2002 (U$A)
40. Doom « Just another day », from World of Shit Lp, 2001 (England) 


 

The Stench of the Millennium (part 2) 

 


Part three:

01. Campus Sterminii « Non c’e’ limite al peggio », from Life is a Nightmarish Struggle Lp, 2009 (Italy)
02. Limb From Limb « Relentless torment », from Death.Famine.Plague Lp, 2007 (Canada)
03. Hermit Prose « Dissolving soon », from Down Beat Sect Ep, 2006 (Japan)
04. State of Filth « Filth », from S/t split cd with Anarchy Spanky, 2003 (England)
05. Pack « Booze for future », from Booze for future Ep, 2005 (Switzerland)
06. Nulla Osta « Horizonti », from Omnia Morituri Sumus split Ep with Campus Sterminii, 2007 (Croatia)
07. Los Rezios « Ellos nos odian », from Destroy the Guetto…!!! Split Ep with Battle of Disarm, 2007 (Peru)
08. Hellstorm « Going to an end », from S/t one-sided Lp, 2010 (recorded in 2009) (Greece)
09. Battle of Disarm « Liberate Earth », from Destroy the Guetto…!!! Split Ep with Los Rezios, 2007 (Japan)
10. System Shit « Lost control », from S/t split Ep with Bloody Phoenix, 2006 (Canada)
11. Drunkard « What about », from S/t split Ep with Cornucopia, 2000 (Australia)
12. Dystopia « My meds aren’t working », from S/t Lp, 2008 (U$A)
13. Crow « 絶叫 », from Bloody Tears Lp, 2006 (Japan)
14. Roxor « Sluby », from S/t tape, 2008 (Slovakia)
15. Svart Aggression « När Världen Sakta Ruttnar Bort », from Tänk Själv Ep, 2006 (Sweden)
16. Gurkha « The weight », from R’n’r Engine / Drinking From the Skulls of Dead Gods split cd, 2006 (England)
17. Massakro « Infanticidio », from S/t cd, 2003 (Mexico)
18. Minus « Extinct population », from Singapore Punk Holocaust compilation cd, 2007 (Singapore)
19. Hellbound « Negative outlook », from S/t split cd with Despite, 2002 (Canada)
20. Affect « Proof of life », from Darkness Silence cdr, 2004 (Japan)
21. React « His children play with knives », from Deus Ex Machina cd, 2000 (U$A)
22. Relics of Future « Dark age », from S/t demo cdr, 2008 (Germany)
23. Proof of Existence « Religious terror », from Scriptural Disaster Lp, 2003 (U$A)
24. Mass Mierda « Que es lo que esperabais », from El Olor a Extinción cd, 2005 (Spain)
25. Kontrovers « Livlös », from S/t cd, 2002 (Sweden)
26. Massgrave « Corruption of innocence », from S/t split Lp with Stormcrow, 2008 (Canada)
27. Misery « Fine day », from S/t split cd with Path of Destruction, 2007 (U$A)
28. Disdomestic Violence « War crimes », from Tokyo Sound System 1+2=3 2xcd compilation, 2007 (Japan)
29. Behind Enemy Lines « Army of god », from The Global Cannibal cd, 2003 (U$A)
30. Nuclear Death Terror « In the shadow of the gallows », from S/t Lp, 2006 (Denmark)
31. Mass Genocide Process « Inner circle of fear », from S/t split Lp with Visions of War, 2005 (Czech)
32. Revölt « Conquest or liberation », from Gate of Holocaust Lp, 2007 (Japan)
33. Krush « Zero tolerance », from What is Wrong with this Picture? Split Ep with Gritos de Alerta, 2004 (Netherlands)
34. Horror Humano « Horro humano », from S/t cd, 2008 (Argentina)
35. Reduction « Social disorder », from Social Disorder Ep, 2002 (Japan)
36. Instinct of Survival « Winter in my mind », from Winter in my Mind Ep, 2006 (Germany)
37. Contagium « Cold mind », from S/t Ep, 2009 (Canada)
38. Homomiltia « Pomysl O Tym », from S/t Lp, 2020 (recorded in 2000) (Poland)
39. Zoe «  Be celled and be chain of master », from The Last Axe Beat Lp, 2004 (Japan)
40. Morne « Twilight burns », from Demo 2008 Lp, 2009 (U$A) 

 


The Stench of the Millennium (part 3)