Well, well, well. Unless you are as thick as a log or you got into punk just last week after watching Turnstile's latest video (if you haven't and if you are above 20, you might want to abstain, it's unsurprisingly absolute dross), this review will be about a d-beat band. They called themselves Mobcharge for a reason and didn't want to mislead the punters: "Mob" because Mob 47 and "Charge" because Discharge. Life can be simple sometimes. Of course, form the perspective of 2026 such unsubtle linguistic combination meant to appeal to the members of the punk sect are not, by any means, unusual. Just think of all the Dislickers, Shitcontrol or Wolfcharge of this world and the staggering need to "refer to" that plays such a huge part in modern DIY hardcore these days. It could be seen as a global movement that extends far beyond the punk wasteland. Are we Stranger-Things-ing punk-rock and thus ourselves? Is it reinvention or musical cosplay? Should I care as long as the D is good? Should I stop dicking around and get to it already?
Mobcharge was a project based in Spain, around Barcelona (the band's address is located in Barna indeed) active in the mid-90's but they somehow crawled from their grave in the late 00's too - no doubt due to popular demand. If you have been around and care to dig a little you will realize that the mobchargers have been involved in about as many bands (if you can call some of them "bands") as you have had showers since Covid. The band proved to be one of the many sonic ideas of the Becerra brothers Tonio and Chico who played in the excellent old-school DIY grindcore band Violent Headache which I have always rated highly and is exactly my kind of grindcore: punk, non-technical and cave-compatible. Mobcharge wasn't the insatiable brothers' first attempt at beating the D in an orthodox fashion since they had already done Angry Mob a couple of years prior starting Mobcharge. While the moniker was not as Dis-oriented, on their crowing "glory" 1996's The Genocide Contiues Angry Mob sounded arguably even more like the most faithful Discharge followers. But that band, in an even more primitive form, was in fact created as a two-piece in 1989 by the aforementioned infernal duo (before singer Jordi joined in 1991 in time for the 100% Nordico tape) and a few songs can be found from this period. In a time when so many bands buy pedals and struggle to sound raw and crudo, this earliest Angry Mob recording proved that you just have to be motivated, possibly bored, punky teens to achieve the quintessential, genuine, stripped down Dis (granted, Spain already had a tradition of rough, chaotic, angry hardcore bands in the 80's so it was not illogical or that much of an anomaly).
But let's get back to Mobcharge a band that relied on a very similar basis and walked the same ground as Angry Mob, namely the first d-beat wave and 80's Swedish hardcore (I was once told that at that time in Spain, in the late 80's/early 90's the term used to refer to what we now call käng was "el ritmo Sueco"). Beside the Becerra brothers (Tonio on the guitar and Chico on the drums), Mobcharge included Avellano (who was also growling in Proyecto Terror at the time) on vocals and Peña (who did L-ctro Pills with the three scoundrels) on the bass. This Mobcharge tape was released in 1997 and included the band's second (B side) and third demos (A side) recorded in 1995 and 1996 respectively and if you are interested in the band's even rawer first recording adventure you can find songs off the first demo on a split tape with Anti-Clinex if you dare (yet another scandicore project from the Becerras with an unfortunate but ultimately pretty funny moniker).
So yeah, there is a lot of dis love on these demos, the earlier one being expectedly a bit more direct and rawer, although to the uninitiated they will just sound like a lot of noisy bollocks anyway. Fundamentally Mobcharge - and indeed Angry Mob - should be seen as pertaining to the first d-beat wave, that pivotal time in the 90's when vintage Discharge (let's pretend 1984 and beyond never happened) turned into a passion with a legitimate blueprint and its own subgenre with its strict and admittedly limited set of specific rules. In the present tape you can hear some demo quality early Dischange or Disclose and some 90's Uppsala käng like Time Square Preachers but the recordings also convey a rawer 80's hardcore vibe like Shitlickers or Violent Uprising (and let's throw MG15 for the sake of it). Very angry-sounding and highly self-aware at the same time with covers of Varukers, Shitlickers and Discharge if you need to be reminded of what's happening. The kind of d-beat bands that you just have to play on tape if you know what I mean. This one was released on HFN/IMA (a small label run by a member of Grito de Odio) and Squeal Records. In 2008 Mobcharge recorded again and two years later a full Lp entitled Apocalyptic Horror was released by a handful of labels. The band had certainly not gone emocrust but if it delivered the typical goods, I miss the rawness of the early stuff as any self-respecting nerds should claim.
Let's get real, Mobcharge is for the diehards but they, along withAngry Mob (these people do like mobs, don't they?) did pave the way for the typical Spanish raw d-beat style that bands like Destruccion or Regimen de Terror today went on to repeat and popularise although it might have been an indirect influence. At the end of the day, Mobcharge belonged to this category of bands I call "posers detectors". If you see a so-called self-proclaimed d-beat fan covering his or her ears when Mobcharge is playing then you know they are either an undercover cop or worse a fucking poser. In both cases to be disposed of as fast as possible.
