Sweden. The only country in the world where toddlers are lulled to sleep with the Mob 47 double cd discography and teenagers have to learn a...

Tokyo's Filthy Hate is the perfect example of a band I was late to the party for. I have no idea why no one sent me an invite, it's ...

2025 has been a pretty grim year on a global scale, I suppose it's hardly a scoop. However, truthfully, on a personal level 2025 has bee...

This tape takes me back to a more innocent, almost virginal, time back when everything punk felt new, exciting, all gigs were existential mo...

Let's deal with the elephant the room first: of course this is not an original copy of the cassette. The hardcore purists - also known a...

For those of you who worried the last's review might somewhat signaled that Terminal Sound Nuisance might descend soon into postpunk ref...

 (The review was meant to be much shorter but there you go, I couldn't help digressing like a madman.) Modern postpunk: that thing every...

This is somehow a stimulating one to review for Terminal Sound Nuisance as Farce firmly belonged (I assume they are no longer active) to the...

I first learnt about the label Extreme Earslaughter in 2017 when I read about a coming discography of Industrial Suicide (or Βιομηχανική Αυτ...